Showing posts with label Suzanne. Show all posts
Showing posts with label Suzanne. Show all posts

Saturday, September 24, 2011

Chapter 1: Du Roy Wants a Wife:Georges Du Roy and Lily Bart - Bel Ami and House of MIrth



Robert Pattinson As Georges DuRoy

Suzanne has been gone almost three years now. My son is growing up and Madame Walter is not the best influence for him. I live in the Walter mansion and she still has not said a word to me unless it is about my son. I have employed nursemaids but they do not satisfy my aspirations for my son, so I have continued looking, until I finally understood that no one is going to be perfect for him. This presents me with a problem, because I do not wish to marry again. I am content with Clo and others with no one making demands on me.

Suzanne was so lovely and fun. We had barely gotten to really know each other when she became pregnant. Her mother insisted on her being much more confined than I wished and I was furious, as I knew the real reason. She had her convinced that sex would be harmful and Suzanne was fearful with me after that. We were just learning each other. I still saw Clo, of course, but I did not have the same desire for her as I had had before my marriage to Suzanne. It was a trying time for Suzanne and me, but I thought that after the child was born, things would improve.

Only she died in childbirth. I was left with an infant and, not exactly a broken heart, but a sense of real loss for what might have been. After two years I began to think about what I might do to find a mother for my son and a wife for myself. Young women were no longer acceptable to me as I could not see them as mothers. In bed I knew they would be ardent, for a while anyway, and that was agreeable to me. What I really wanted was someone who could preside over my life as I lived it with calm and tact, who would be good for my son and compatible with me. But she had to be beautiful. And she had to have integrity. I did not wish another highly polished cocotte like Madeleine. I no longer needed to marry wealth as I now had the millions from Suzanne’s death and my son was the legal heir to the Walter fortune. Strange how things twist and turn according to fate.

With my melancholy I read more to console myself and I began to see different possibilities beyond my journalistic career. My confidence in my writing had grown as my understanding grew. I began to write short stories, to publish them and I was trying to work on a novel with not much luck. I needed the atmosphere my own wife could provide.  I was never the kind of man who can be content living alone indefinitely.

I decided I didn’t want a French woman. My tastes had changed.  I wanted an English woman or an American one. I had a working knowledge of English, but after reading Madame Bovary I read some of the English women writers and then I read Wuthering Heights and I saw myself in Heathcliff. This had never happened to me before. I had not been a student at all when young. I had to make my way in the world as best I could. I knew Heathcliff so deeply and also the part of him that was wounded. But I had never loved like Heathcliff, and I was not looking for that, but as a character he intrigued me and I gained in self-knowledge knowing that we were so close. I had escaped his fate as Suzanne was more courageous than Cathy, but then she was so young and the young are often like that.

I think I wanted an English speaking woman because I was so infatuated with Emily Bronte. I decided that if I married an English speaking woman that the language would be a barrier between us. So I worked on fluency with Emily Bronte. She is a genius with language and her imagination is unrivaled. Was it wise of me to absorb her so completely? I didn’t know, but no other writer had captured me like this girl I would have loved to know.

But an American woman was more of a decided challenge to me. We French have such a love affair with the New World. And then at an event I met the Duchess of Beltshire and her companion Lady Skiddaw. As she was my dinner partner, she began to tell me of a most remarkable woman she had been recently reacquainted with at Monte Carlo.

“You know Georges, I may call you that may I not, well, I will anyway whether or no, it is time you remarried. I have heard your young wife died almost three years ago now and your young son must need a mother’s care and supervision. I have recently come back from the Riviera and I again met a most remarkable young woman there. I tried to get her to accompany myself and Lady Skiddaw back to the continent, but she felt it was imperative that she return to America. Why, I don’t know. She is astonishingly beautiful and has such amazing social graces she makes it such a pleasure to be with her. She is fun, gracious, considerate, has exquisite taste, really just perfect.

"But she is unmarried, and no one really understands exactly why. Ten years ago at Aix an Italian Prince, Prince Virigliano, rich and the real thing, was determined to marry her. As the marriage papers were being drawn up his good-looking stepson arrived and Lily, that’s her name, Lily Bart, apparently flirted with him and the two men argued openly. A scandal irrupted. Everyone began looking at her so queerly. Her horrible aunt, Mrs. Peniston, with whom she lives, felt a little ill, and thinking it was the food or climate or some such stupid thing, decided she would return home with her ward. Lily’s parents are dead and she has no money of her own, but is desired by the best people in New York City because of her beauty, her grace and her infallible tact.

"The Crown Princess of Macedonia was so taken with her when she stopped for a week at Monte Carlo she invited her to stay with her at Cimiez, wishing to bring Lily into her traveling entourage. Bertha Dorset had invited her to cruise the Mediterranean with a party of friends on her yacht the Sabrina, to occupy her husband while she dallied with a young poetShe was so jealous of Lily’s success everywhere she set sail for Monaco and the Casino at Monte Carlo, bringing Lily with her. It was there that I met her again. Bertha Dorset just did not understand that it is Lily's beauty that does it, that attracts everyone to her.  And she cannot transfer it to the people who invite her to social gatherings and voyages, so they blame her. Her face is so beautiful that it opens endless doors for her, but it also creates terrible destruction for her. Men want her and women are livid with jealousy. It's both a gift from the gods and a terrible curse.


"A Mrs. Fisher who knows her has discussed her with me. I have heard other stories too of course. A very suitable match becomes infatuated with her, and she seems ready to accept him, but then she oversleeps, goes on a picnic, etc. and the whole thing is ruined. My acquaintance Mrs. Fisher says she thinks it is because Lily despises the things she is trying for. She is twenty-nine now and more beautiful than she ever was. All of her friends’ husbands are infatuated with her, but she is lovely and polite and chaste, wanting nothing to do with them in the way they wish. She has a friend in Lawrence Selden, but he is an attorney with no assets, wealth, inherited or otherwise. He is not a possibility for Lily. She is poor, but as she often chides, she is a very expensive woman.

"I think you must meet her. She is perfect for you, and you, of course, are perfect for her. You are a Baron, exceptionally wealthy, an accomplished journalist, a writer, widowed and definitely looking for a wife and a mother for your very young son. You are not under the influence of anyone else, family or otherwise," and here the Duchess winks, "and I daresay you are experienced. You will know how to get her to say yes very quickly. I am going to New York City very soon, and I can arrange for you to meet her. The rest will be up to you naturally, but you will know how to proceed.

The Duchess winks again at me. She is known to be a liberal uninhibited person as she travels around the world of the privileged. They seek her company and pout when she tosses them off as bores. Obviously this Lily Bart does not bore her at all. In fact she is still quite taken with her. And I am intrigued to meet this American Cinderella, who does not sit by the fire in rags, but is always exquisitely dressed, sought by royalty and wealth, and looking for a husband. A husband who can offer her what I can offer. What could be more perfect.

"My gracious thanks to you. I think I shall take your advice. When are you sailing? We shall go together?" I take her hand and kiss it lingeringly.

Thursday, September 22, 2011

Introduction: Georges Duroy and Lily Bart - Bel Ami and House of MIrth

Agnes Martin
Georges Duroy (Bel Ami) has been widowed. His lovely young wife Suzanne has died in childbirth. His very young son is now the heir to the great Walter fortune. Duroy has come to New York City because he has heard of the beautiful and incomparable Lily Bart (House of Mirth). He wishes to marry her, return with her to Paris, have her preside over his extravagant lifestyle and sensitively guide the raising and education of his son. He expects no hindrance in his plans. He is offering a fortune and a way out for her.

Georges Duroy in Bel Ami and Lily Bart in House of Mirth are both caught in the Foucauldian grid, web, at the end of the 19th century. They are caught in Foucault's power/knowledge/capital nexus, but one rarely knows they are in it until ...well until they study Foucault. People know they are trapped, but usually in a local way where the system keeps throwing obstacles at them, and they blame themselves for a long while until they fully know, if ever, that that's the way it is set up. Their existential, situationalist choice then is to give in or resist, and how best to resist when inside the Foucauldian paradigm. Baudrillard since 9-11 has suggested otherwise. Just leap out of it. Risk it all. DeLillo's solution is in narrative transcendence, but Baudrillard reading through Foucault does not believe in transcendence so it is not an option with either one of them.

Duroy is not a bastard, not a horrible person. He is just making choices inside his wiggle room and it is pretty confining. To dump judgement on him as a character doesn't make much sense. The PC feminist introduction in my edition of House of Mirth by an esteemed Harvard professor, blames Lily for being shallow and seeing herself only through the eyes of everyone around her. Of being an object of conspicuous consumption for some man she traps. This is simplistic psychological swampy interpretation. She is securely caught in the web. She has some wiggle room, just enough to know that she is caught in a place and time that is boring but comfortable, until it isn't anymore.

Georges can only improve his situation in life by marrying up. The same is true of Lily, only her situation is worse. A young woman cannot do anything if she isn't married. And she must not, must remain spotless, until she snags someone who can afford to keep her in the style to which she has become accustomed. Lily and Georges could never have had each other as they are in the books, when unmarried, if they had met and been attracted to each other. Both are caught in the awful hypocrisy of the social structure they are wedged in, and neither sees anyway out but up or sink and drown.

So to condemn them with ideas from our own times is just precession and only a silly game of speculation. If you see them in the time they are in and the grid of power/knowledge/capital of that time, you may have a chance to see your own place now in that same grid, as it plays out today.

This is the grid DeLillo has Eric Packer in on that last day of his life in Cosmopolis. It is start stop. Moving in quarter inches as Torval says. As House of Mirth unfolds Lily Bart begins to feel the tightening threads as Georges Duroy feels them in the beginning of Bel Ami. Duroy is on his way up and Lily is on her way down, which she can always so far, stop, but always only at great personal loss of her sensibilities and integrity. And in House of Mirth, she sees the dead end sign at the end of the road.

This fanfic is an imagined meeting of the widowed Duroy, after his marriage to Suzanne, and Lily who live in the same time warp, are close in age, move in a similar social class, and what might have been possible for them.

Sunday, September 18, 2011

Irresistible Destiny:Chapter 18 - Mine



Books » 310 series » Twilight: Impossible Destiny
Author: seymourblogger
Rated: M - English - Fantasy/Romance - Published: 08-31-11 - Updated: 09-09-11id:7342016
Twilight: Irresistible Destiny


The Love Song of J. Alfred Prufrock - T.S. Eliot

Let us go then, you and I,
When the evening is spread against the sky...
...In the room the women come and go
Talking of Michelangelo...
...I have heard the mermaids singing, each to each,
I do not think that they will sing to me.










Now Suzanne takes your hand
And she leads you to the river
She is wearing rags and feathers
From Salvation Army counters
And the sun pours down like honey
On our lady of the harbour
And she shows you where to look
Among the garbage and the flowers
There are heroes in the seaweed
There are children in the morning
They are leaning out for love
And they will lean that way forever
While Suzanne holds the mirror
And you want to travel with her
And you want to travel blind
And you know that you can trust her
For she's touched your perfect body with her mind.

Chapter 18
BPOV


As I sit on his lap I feel him getting hard, desiring me and I kiss him a little harder, then harder until I begin to feel his breath changing. There is no one in this room so I slip my legs over him and straddle him, and then he really gets hard, so I can feel him through my little silk skirt. I have no panties on just in case. My mouth is on his neck and I nibble and then graze my teeth on his now pulsing artery. I catch my breath, he smells so delicious and tastes so good.




My hands find him below and I place him in front of my entrance over my skirt so I can feel him more as I lean in to kiss him. Edward catches his breath and begins to breathe raggedly.




 "I'm no where near finished with you yet, " I say darkly, meaning every word.




We are still alone in the room, but I hear voices coming nearer. "I have to have you in me right now, right away. I need to feel totally connected to you, no separations." I reach down and unzip his pants, and I feel how hard he is.


I rub up and down his cock and he moans, "Bella, Bella, here?"




"That's not a question," I say. "Any objections? That's not a question either." I lift the filmy skirt over him and slightly push myself up to place him at my entrance with my free hand. I'm so wet he slides in slowly and deeply, and I whimper and moan. He is breathing much too fast now.




"Please, please slow down, slower," I say. I sigh and just hold him in me as I feel him so deep. People are coming in now, so I don't move a muscle, keeping my head turned into his neck, my mouth open against his artery and licking and sucking quietly.




"Oh, god Bella, I can't stand this," he says.




"Yes, we can and we will, as long as we can. But I don't know how long I can hold out. Either." The tourists look at us and see two people in each other's arms, cuddling, and that's all.




They begin murmuring as they look at the paintings. I feel when they are looking at Edward's painting. They just become silent and stand there. There is nothing to say.



...In the room the women come and go
Talking of Michelangelo...





Our breathing quiets. I tighten my muscles around him and feel him twitch. I move just a millimeter down on him and it feels so much deeper that I sigh deeply. I quiver internally and my desire increases.




This man will be the death of me. I tell him, "You will be the death of me." He tightens his hold on me and I gasp in surprise.




 "Oh god, Edward I feel you inside me, all over. I could let go and come right this minute. But I won't. I'm not finished with you."




He groans imperceptibly, so only I can hear him. His voice is a sound that vibrates deep inside me and I tremble. He feels me respond and hums in my ear. I am coming undone.




"Stop, slower," I say. "Slower, slower." And I still and calm my breathing and he joins me until we are at the edge, quietly holding ourselves there. No frenzy. Yet. "I love you so much I can scarcely believe it," I say.




"I know," he says. "It is the same for me. I have never loved anyone before. This is completely new for me. I cannot believe it. I don't think I will ever believe it either. How did this happen? Who started it. Not a question."




I glue myself to his chest and raise myself a little and then sink down hard and fast. The air whooshes out of his lungs, and I begin trembling again. I love to make him lose control.




More people are coming into the room, so I am very very still. I feel Edward tense, but I am relaxed. I know how they are seeing us. Indulgently. Young lovers. Remember when we were…., but oh they have no idea, none at all. I wrap my cunt around him now. Each muscle strokes him, circles him, my lower muscles squeeze him.




"My throat is better," I say. "My muscles are more delineated, separate, more controlled." He trembles in me, longing for that sensation.



...I have heard the mermaids singing, each to each,
I do not think that they will sing to me.



"Do you know that there are Asian prostitutes who can smoke cigarettes with their cunt?" They tighten like this," and I show him and he breathes sharply in.




His hands move to my shoulders and he bears down. My breath catches, and I breathe deeper. I lose control and begin trembling. My insides are quivering spontaneously. I have lost all control and I just hold him and tremble. I tighten and loosen on him, feeling him all around me inside me. I want to keep him there forever. Yes, that's what I want . To have him inside me forever. How can I ever feel full again if he leaves me? That is a question? And I know the answer to it. I can't. Not ever.




"Oh, please," I say. "Oh please."




"Oh please, what?" he says. "Tell me and it's yours."




"You," I say.




"But you already have me."




"But not forever like this," I say. "I can't keep you inside me forever."




"But you can," he says. "Let me in your womb. I want all of me in your womb. Forever."




And then my body leaves me and decides for itself, quivering around him, hugging him, letting go, then tightening again so hard he couldn't get out. But he doesn't want to. I am gasping for breath. All my well trained internal muscles, ready for this for centuries, fall apart and throb.




"Each time my walls caress you is like each of those brushstrokes inside one of those fragments. You are hard in me, but oh so soft too. There are thousands of those fragments in your painting, and I am going to love you for each one of them, holding you softly, firmly, sometimes sloppily, but hold you I will. Once for each fragment in time your body and mind anticipated me, desired me, as you endlessly painted that painting and waited for me. This is what you were waiting for."




And I begin to fall apart yet again.




I have a little "tooth" deep in my vagina, right by my cervix where it opens into my womb. I feel it opening now. I put that piece of flesh over his urethra and gently at first circle it. I begin to probe his opening harder then more and more until I feel him reach the edge.


I let go and pulse and say, "My birth control is 99.95 percent effective. We have a point 05 chance. Break down my barrier. Break it down! Stay in me forever."




He doesn't let go. He ejaculates, hard, far up into me, jetting me with his semen until all my insides are covered and soaked. I feel his hands bear down on my shoulders so hard I think I will push through his thighs into the bench. I love it.




Then I feel my cervix open wide to embrace him and I shudder again and come all over him, making waves that push him further inside me all the way. Still he continues to ejaculate in me deeper and deeper. And then I know. I am conceiving. I relax and just breathe, holding him in my arms and cunt.




"I have conceived," I say.




"How can you know that."




"I just know."




"You could be mistaken."




"The Sibyl is never mistaken." I do not mention twins.




And then he looks up at me with such radiant joy on his face I think I will die.
Sky Cathedral - Nevelson





Nevelson -Sky Gate
I have started another one. A crossover between Georges in Bel Ami (Guy de Maupassant) and Lily Bart in House of Mirth (Edith Wharton)
so start at the top here



End of Part 1

Tuesday, September 13, 2011

Irresistible Destiny:Chapter 5 - Alterity


Twilight: Irresistible Destiny






Suzanne - Leonard Cohen






Suzanne takes you down to her place near the river

You can hear the boats go by

You can spend the night beside her

And you know that she's half crazy

But that's why you want to be there

And she feeds you tea and oranges

That come all the way from China

And just when you mean to tell her

That you have no love to give her

Then she gets you on her wavelength

And she lets the river answer

That you've always been her lover

And you want to travel with her

And you want to travel blind

And you know that she will trust you

For you've touched her perfect body with your mind.
.






Chapter 5: Alterity
____________________________________________________________________________________
We can recall moments in the past when we had equal chances of living or dying - in a car crash, for example... Every time someone finds himself at a crossroads of this kind, he has two worlds before him... It is the same with each decisive moment, both with birth and with death. Just as the virtual dead man that I am continues on his way on the other side, carries on with his existence which runs just beneath the surface of mine, birth is that dividing line where on the one side I exist as myself, but on the other I begin, at the same moment to exist as other Such is the form of alterity...(Baudrillard Impossible Exchange 82)

EPOV 5
Anna Akhmatova - Modigliani
I listened to her as I looked into her eyes and I felt I had known her forever. And the words she was telling me were saying just what I was thinking and feeling. Yes I knew she was right. I knew her right away. There wasn't even time for me to say hello, would you like to go to dinner with me. Or take a walk with her through the alleys of Venice. No, there was no time at all. I had to make her mine immediately.

"I read a novel once and I kept reading one part over and over until I could never forget it. And I didn't know why I had to do that, I just did. And now I know. So I can tell it to you right now. It was written by Marguerite Duras.

"In the novel the captain of a yacht and his wife sail from port to port, stopping only briefly at places they have been before. They have been very much in love, but she keeps a secret from him about another man she only spent one hour with. A man who read her poetry and loved it. And in that one hour that she speaks with him, she falls in love with him. And says this to him":

" 'I wanted to tell you what I think, which is that … one always ought to keep oneself a ... place, yes, that's the word, a private place, where one can be alone and love. To love one knows not what, nor whom, nor how, nor for how long. To love... now all the words are suddenly coming back... To set aside a place inside oneself to wait, you never know, to wait for a love, perhaps for a love without a person attached to it yet, but for that and only that. For love. I wanted to tell you you were what I had waited for. You alone became the outer surface of my life, the side I never see, and you will be that, the unknown part of me, until I die.' " (Duras - Emily L: 98-99)

"And that is what I want you to know right now. That I have been waiting for you, waiting it seems like forever. I knew I would never stop waiting. And as soon as I gazed at you, I knew I had to have you. And that I could not wait another second, no matter what the consequences. 

It felt like madness but I couldn't have stopped if the building were burning down on us. If it had happened when the Twin Towers were hit, it would have been the same. That's the level of madness I felt when I saw you.

"So yes, I believe what you say. I have no idea what to do about it, but right now I don't care. I just need to have you again and this time I am going to savor you. For a very long time."

And I began to kiss her softly, then more urgently, then insistently, cruelly because I couldn't get enough of her. I couldn't stop and I would have gone on all night but her hands reminded me I had other parts of me besides my lips and mouth and they began to demand my attention.

I strained against her, then touched her everywhere and then after I had finished with her mouth, her breasts, her thighs, her hot center, I began the journey all over again.

My mouth was on her body and moved of its own accord, drinking her, devouring her, demanding her, never stopping, my hands between her legs, my body crushing her beneath me, then lifting up and pulling her over and I couldn't get enough of all this touching and eating her skin, hair, ears, hands, feet, breasts, and I knew if I began eating her folds and entrance I would never stop so I began tasting her, sucking her, smelling her until I was driven mad again and couldn't be tender any longer.

I was starving for her, hungry as I had never been for food, desperate for her, to be in her and I groaned and entered her again, slowly at first then harder, until I was frantic with desire, unable to stop and I slammed into her again and again until she screamed my name over and over.

And she tensed, held her breath, tried to stop but couldn't and began to tremble and convulse against me and I pounded into her harder and harder until I gave up and let everything go into her moaning and crying out and holding her so hard I thought I might break all her bones.

"You're mine now. You're mine. You're mine and no one else's. And I will kill you too if I see you, hear you, imagine you ever touching anyone else again the way you touch me. You're mine!" I grabbed her throat and knifed her eyes and threatened her with murder if she ever even thought of anyone else. "

My god what is going on with me. She laughed about this, but I cannot even smile about it. I am dead serious. She's mine, mine and no one else's.